ROBERTDIAMOND
Presenting the New and Improved BWW
Welcome to the rhythm of a brand new day on BroadwayWorld as we've just this morning launched a massive design upgrade that's been in the works for months that I'm both proud and excited to unveil.
It wasn't until I watched the loving trip down BWW memory lane, put together by our Social Media guru Alan Henry (and linked below) of the site's previous designs that I got a little emotional about the process (and what a process it's been!).
Everyone on the BroadwayWorld team takes great pride in our position as the leader in all coverage for theatre and live entertainment for Broadway and beyond. We approached the changes that you are now seeing today, keeping that in mind every step of the way.
Using heavy data, analytics and testing we looked at each and every feature of the web site - technically, visually and functionality wise and spent many sleepless nights figuring out how to make each bit better.
We hope that you'll find the new site a faster, cleaner and more powerful browsing experience across all browsers, screen sizes and devices. The goal was to make it even more functional on large desktops, and on the smallest of phone screens.
I'd like to extend special thanks to everyone on the team who's been involved with the design, development, testing, lovingly yelling at me with feedback, and helping to carry the site forward for 2017.
As always, we are here for and with you, our readers and the community. Your feedback is welcome (especially over the next few days as I'm sure we have some bugs to squash), and my inbox is always open!
Enjoy!
INDUSTRY INSIGHT: Weekly Grosses Analysis - 2/19
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 2/17/2019.
This was
up the number of shows as last week and
up 4
vs. the same week last year.
Compared to last week, attendance was
up 1.11%. Versus last year, attendance was
up 18.14%.
On the sales front, overall grosses were
up 10.30%
vs. last week and
up 15.86%
vs. this week last year.
This week's average ticket price of $120.84 is
up $10.07
compared to last week and
down $-2.38
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 2/11
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 2/10/2019.
This was the same as the number of shows as last week and
up 3
vs. the same week last year.
Compared to last week, attendance was
up 5.32%. Versus last year, attendance was
up 30.62%.
On the sales front, overall grosses were
up 4.33%
vs. last week and
up 25.63%
vs. this week last year.
This week's average ticket price of $110.77 is
down $-1.05
compared to last week and
down $-4.40
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 2/4
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 2/3/2019.
This was
less than
the number of shows as last week and
up 1
vs. the same week last year.
Compared to last week, attendance was
down -8.65%. Versus last year, attendance was
up 12.86%.
On the sales front, overall grosses were
down -11.57%
vs. last week and
up 6.61%
vs. this week last year.
This week's average ticket price of $111.82 is
down $-3.69
compared to last week and
down $-6.56
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 1/28
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 1/27/2019.
This was
less than
the number of shows as last week and
up 3
vs. the same week last year.
Compared to last week, attendance was
down -3.00%. Versus last year, attendance was
up 17.06%.
On the sales front, overall grosses were
down -5.42%
vs. last week and
up 8.94%
vs. this week last year.
This week's average ticket price of $115.51 is
down $-2.95
compared to last week and
down $-8.61
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 1/22
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 1/20/2019.
This was
less than
the number of shows as last week and
up 4
vs. the same week last year.
Compared to last week, attendance was
down -2.47%. Versus last year, attendance was
up 23.31%.
On the sales front, overall grosses were
down -0.75%
vs. last week and
up 14.50%
vs. this week last year.
This week's average ticket price of $118.46 is
up $2.06
compared to last week and
down $-9.12
compared to last year.
Text after read more button
This week, 29 shows played on Broadway, with 252,489 tickets sold and a total gross of $30,511,551. The average ticket price was $120.84.
Top 5 by This Week Gross
HAMILTON
$2,947,001
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,013,520
THE LION KING
$1,966,141
WICKED
$1,644,307
TO KILL A MOCKINGBIRD
$1,609,189
Bottom 5 by This Week Gross
CHOIR BOY
($363,508),
TRUE WEST
($558,597),
THE PROM
($581,462),
CHICAGO
($625,682),
THE BAND'S VISIT
($627,247)
Top 5 by This Week Gross vs. Last Week Gross
MEAN GIRLS
$289,095
ALADDIN
$230,563
THE LION KING
$223,473
WICKED
$199,224
ANASTASIA
$177,545
Bottom 5 by This Week Gross vs. Last Week Gross
HAMILTON
($-161,316),
THE CHER SHOW
($-69,842),
THE FERRYMAN
($-49,594),
FROZEN
($-38,444),
WAITRESS
($-27,233)
Top 5 by Average Ticket Price
HAMILTON
$274.39
DEAR EVAN HANSEN
$159.94
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$155.17
NETWORK
$145.03
THE LION KING
$144.94
Bottom 5 by Average Ticket Price
CHOIR BOY
($76.40),
THE PROM
($79.83),
KING KONG
($81.28),
THE BAND'S VISIT
($81.83),
CHICAGO
($90.23)
Top 5 by Gross % of Potential
TO KILL A MOCKINGBIRD
116.1%
NETWORK
109.13%
HAMILTON
107.14%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
101.26%
THE BOOK OF MORMON
98.41%
Bottom 5 by Gross % of Potential
KING KONG
(49.86%),
THE PROM
(52.23%),
CHOIR BOY
(60.27%),
THE BAND'S VISIT
(60.78%),
THE PHANTOM OF THE OPERA
(61.54%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
103.3%
COME FROM AWAY
101.8%
HAMILTON
101.6%
TO KILL A MOCKINGBIRD
101.4%
DEAR EVAN HANSEN
101.3%
Bottom 5 % of Seats Sold of Total Seats
KING KONG
(70.5%),
THE PHANTOM OF THE OPERA
(70.8%),
WAITRESS
(77.9%),
KINKY BOOTS
(79.4%),
CHICAGO
(80.3%)
Top 5 by Seats Sold This Week vs. Last Week
THE PROM
482
KINKY BOOTS
394
THE BAND'S VISIT
368
MEAN GIRLS
115
ANASTASIA
97
Bottom 5 by Seats Sold This Week vs. Last Week
THE PHANTOM OF THE OPERA
(-1367),
THE CHER SHOW
(-1316),
WAITRESS
(-1166),
FROZEN
(-1161),
KING KONG
(-962)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 27 shows played on Broadway, with 249,720 tickets sold and a total gross of $27,661,258. The average ticket price was $110.77.
Top 5 by This Week Gross
HAMILTON
$3,108,317
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$1,947,680
THE LION KING
$1,742,668
TO KILL A MOCKINGBIRD
$1,539,571
WICKED
$1,445,082
Bottom 5 by This Week Gross
CHOIR BOY
($379,819),
THE PROM
($527,155),
THE BAND'S VISIT
($528,202),
TRUE WEST
($528,398),
ANASTASIA
($545,061)
Top 5 by This Week Gross vs. Last Week Gross
THE PHANTOM OF THE OPERA
$135,849
KINKY BOOTS
$122,225
BEAUTIFUL
$118,932
THE BOOK OF MORMON
$118,488
THE LION KING
$93,499
Bottom 5 by This Week Gross vs. Last Week Gross
WAITRESS
($-285,687),
HAMILTON
($-19,732),
NETWORK
($-14,719),
COME FROM AWAY
($575),
DEAR EVAN HANSEN
($9,099)
Top 5 by Average Ticket Price
HAMILTON
$288.96
DEAR EVAN HANSEN
$151.33
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$150.10
NETWORK
$144.06
TO KILL A MOCKINGBIRD
$132.23
Bottom 5 by Average Ticket Price
KING KONG
($67.38),
ANASTASIA
($69.10),
THE BAND'S VISIT
($72.39),
THE PROM
($77.50),
THE PHANTOM OF THE OPERA
($77.74)
Top 5 by Gross % of Potential
HAMILTON
113%
TO KILL A MOCKINGBIRD
111.07%
NETWORK
107.48%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
97.95%
THE LION KING
95.49%
Bottom 5 by Gross % of Potential
KING KONG
(45.4%),
THE PROM
(47.8%),
ANASTASIA
(49.84%),
THE BAND'S VISIT
(51.19%),
CHOIR BOY
(55.31%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.3%
HAMILTON
101.8%
COME FROM AWAY
101.5%
TO KILL A MOCKINGBIRD
101.4%
DEAR EVAN HANSEN
101.2%
Bottom 5 % of Seats Sold of Total Seats
KINKY BOOTS
(76%),
KING KONG
(77.4%),
THE PROM
(81.4%),
THE PHANTOM OF THE OPERA
(81.5%),
ANASTASIA
(86.3%)
Top 5 by Seats Sold This Week vs. Last Week
KING KONG
1604
THE PHANTOM OF THE OPERA
1273
KINKY BOOTS
1241
BEAUTIFUL
1187
THE BOOK OF MORMON
1117
Bottom 5 by Seats Sold This Week vs. Last Week
TRUE WEST
(-123),
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 27 shows played on Broadway, with 237,108 tickets sold and a total gross of $26,512,355. The average ticket price was $111.82.
Top 5 by This Week Gross
HAMILTON
$3,128,049
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$1,927,390
THE LION KING
$1,649,169
TO KILL A MOCKINGBIRD
$1,494,445
WICKED
$1,363,202
Bottom 5 by This Week Gross
CHOIR BOY
($343,830),
TRUE WEST
($487,144),
THE PROM
($500,132),
ANASTASIA
($508,700),
THE BAND'S VISIT
($511,073)
Top 5 by This Week Gross vs. Last Week Gross
TRUE WEST
$30,326
WAITRESS
$-3,974
TO KILL A MOCKINGBIRD
$-7,145
NETWORK
$-12,970
HAMILTON
$-19,942
Bottom 5 by This Week Gross vs. Last Week Gross
THE LION KING
($-201,020),
WICKED
($-169,550),
KING KONG
($-161,196),
THE BOOK OF MORMON
($-158,196),
MEAN GIRLS
($-147,014)
Top 5 by Average Ticket Price
HAMILTON
$290.87
DEAR EVAN HANSEN
$151.85
NETWORK
$149.70
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$148.53
WAITRESS
$130.45
Bottom 5 by Average Ticket Price
ANASTASIA
($69.15),
KING KONG
($71.06),
THE BAND'S VISIT
($71.38),
THE PHANTOM OF THE OPERA
($73.73),
CHOIR BOY
($76.00)
Top 5 by Gross % of Potential
NETWORK
109.02%
TO KILL A MOCKINGBIRD
107.82%
HAMILTON
103.22%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
96.93%
WAITRESS
96.8%
Bottom 5 by Gross % of Potential
KING KONG
(40.74%),
THE PROM
(45.35%),
ANASTASIA
(46.52%),
KINKY BOOTS
(47.8%),
THE BAND'S VISIT
(49.53%)
Top 5 by % of Seats Sold of Total Seats
HAMILTON
101.8%
THE BOOK OF MORMON
101.7%
TO KILL A MOCKINGBIRD
101.4%
COME FROM AWAY
100.7%
DEAR EVAN HANSEN
100.1%
Bottom 5 % of Seats Sold of Total Seats
KINKY BOOTS
(65.1%),
KING KONG
(65.8%),
THE PHANTOM OF THE OPERA
(71.6%),
THE PROM
(74.7%),
CHICAGO
(77.6%)
Top 5 by Seats Sold This Week vs. Last Week
HAMILTON
1
Bottom 5 by Seats Sold This Week vs. Last Week
KING KONG
(-1261),
KINKY BOOTS
(-1159),
THE BOOK OF MORMON
(-1139),
BEAUTIFUL
(-936),
CHICAGO
(-646)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 29 shows played on Broadway, with 259,574 tickets sold and a total gross of $29,982,380. The average ticket price was $115.51.
Top 5 by This Week Gross
HAMILTON
$3,147,991
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$1,957,299
THE LION KING
$1,850,189
WICKED
$1,532,751
TO KILL A MOCKINGBIRD
$1,501,590
Bottom 5 by This Week Gross
CHOIR BOY
($365,102),
TRUE WEST
($456,818),
THE BAND'S VISIT
($541,271),
THE WAVERLY GALLERY
($557,652),
THE PROM
($567,414)
Top 5 by This Week Gross vs. Last Week Gross
KING KONG
$101,767
THE WAVERLY GALLERY
$90,488
THE PHANTOM OF THE OPERA
$75,099
KINKY BOOTS
$72,900
AMERICAN SON
$59,666
Bottom 5 by This Week Gross vs. Last Week Gross
MEAN GIRLS
($-148,608),
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
($-106,475),
THE BOOK OF MORMON
($-86,084),
COME FROM AWAY
($-83,636),
ANASTASIA
($-78,793)
Top 5 by Average Ticket Price
HAMILTON
$292.75
DEAR EVAN HANSEN
$159.34
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$150.84
NETWORK
$148.74
THE LION KING
$138.19
Bottom 5 by Average Ticket Price
THE BAND'S VISIT
($72.43),
ANASTASIA
($75.56),
CHOIR BOY
($76.59),
KING KONG
($77.94),
THE PHANTOM OF THE OPERA
($78.78)
Top 5 by Gross % of Potential
NETWORK
110.38%
TO KILL A MOCKINGBIRD
108.33%
HAMILTON
103.88%
FROZEN
98.61%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
98.43%
Bottom 5 by Gross % of Potential
KING KONG
(50.83%),
THE PROM
(51.45%),
THE BAND'S VISIT
(52.45%),
CHOIR BOY
(53.17%),
ANASTASIA
(53.53%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.5%
AMERICAN SON
102.2%
HAMILTON
101.8%
TO KILL A MOCKINGBIRD
101.6%
DEAR EVAN HANSEN
101.5%
Bottom 5 % of Seats Sold of Total Seats
KING KONG
(74.9%),
THE PHANTOM OF THE OPERA
(74.9%),
KINKY BOOTS
(75.2%),
THE PROM
(78.8%),
PRETTY WOMAN: THE MUSICAL
(81.9%)
Top 5 by Seats Sold This Week vs. Last Week
THE PHANTOM OF THE OPERA
1790
KING KONG
1484
FROZEN
1337
WICKED
872
KINKY BOOTS
860
Bottom 5 by Seats Sold This Week vs. Last Week
THE PROM
(-582),
THE FERRYMAN
(-220),
THE BAND'S VISIT
(-172),
MEAN GIRLS
(-94),
THE BOOK OF MORMON
(-79)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 31 shows played on Broadway, with 267,598 tickets sold and a total gross of $31,699,190. The average ticket price was $118.46.
Top 5 by This Week Gross
HAMILTON
$3,217,087
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,063,774
THE LION KING
$1,794,617
TO KILL A MOCKINGBIRD
$1,541,089
WICKED
$1,478,702
Bottom 5 by This Week Gross
CHOIR BOY
($343,857),
TRUE WEST
($440,595),
THE WAVERLY GALLERY
($467,164),
THE NEW ONE
($533,335),
CHICAGO
($564,905)
Top 5 by This Week Gross vs. Last Week Gross
SCHOOL OF ROCK
$173,776
AMERICAN SON
$83,941
CHOIR BOY
$82,181
KINKY BOOTS
$80,442
WICKED
$75,599
Bottom 5 by This Week Gross vs. Last Week Gross
FROZEN
($-77,803),
THE LION KING
($-54,050),
THE FERRYMAN
($-50,309),
KING KONG
($-45,696),
THE CHER SHOW
($-27,631)
Top 5 by Average Ticket Price
HAMILTON
$299.15
DEAR EVAN HANSEN
$163.81
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$159.05
NETWORK
$147.49
THE LION KING
$135.02
Bottom 5 by Average Ticket Price
THE BAND'S VISIT
($76.11),
THE WAVERLY GALLERY
($77.49),
KING KONG
($79.49),
CHOIR BOY
($80.00),
TRUE WEST
($80.67)
Top 5 by Gross % of Potential
TO KILL A MOCKINGBIRD
111.18%
NETWORK
110.23%
HAMILTON
106.16%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
103.79%
WAITRESS
100.65%
Bottom 5 by Gross % of Potential
KING KONG
(44.46%),
CHOIR BOY
(50.07%),
THE PHANTOM OF THE OPERA
(50.62%),
KINKY BOOTS
(51.34%),
THE NEW ONE
(54.27%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
103.5%
TO KILL A MOCKINGBIRD
101.8%
HAMILTON
101.8%
COME FROM AWAY
101.6%
DEAR EVAN HANSEN
101.5%
Bottom 5 % of Seats Sold of Total Seats
THE PHANTOM OF THE OPERA
(60.9%),
KING KONG
(64.2%),
KINKY BOOTS
(67.7%),
THE NEW ONE
(73.6%),
CHICAGO
(77.6%)
Top 5 by Seats Sold This Week vs. Last Week
SCHOOL OF ROCK
890
KINKY BOOTS
857
AMERICAN SON
486
BEAUTIFUL
366
THE NEW ONE
337
Bottom 5 by Seats Sold This Week vs. Last Week
FROZEN
(-960),
CHOIR BOY
(-569),
THE PHANTOM OF THE OPERA
(-562),
ALADDIN
(-361),
KING KONG
(-218)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
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Industry Interview: Situation's Lisa Cecchini on the Broadway Trends for International Audiences
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Industry Interview: Mike Isaacson on Why You Should Meet Him at The Muny!
For 101 seasons, The Muny has brought a little bit of Broadway to St. Louis, as one of the country's premier institutions in musical theatre. As the nation's largest outdoor musical theatre, the venue produces seven world-class musicals each year and welcomes over 400,000 theatregoers over a nine-week summer season.
We chatted recently with Trafalgar Releasing's CEO Marc Allenby, and recently hired senior VP, programming and acquisitions Kymberli Frueh to get the scoop on everything the company is up to, the current state of event cinema and so much more.
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Industry Interview: Wolf of Broadway- Meet Tony-Winning Producer, Orin Wolf
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As the weather warms up, the streets of New York City's theatre district begin to fill with tourists, who trek from the far corners of the world for a chance to see a Broadway show. But do they always get to see the show they came for?
Industry Interview: How Charity Network and the Miranda Family Are Making the World a Better Place
As BroadwayWorld recently reported, 'Lin-Manuel Miranda and Charity Network Rise Up for Good' has been nominated for best campaign in the Social - Public Service & Activism category in the 22nd Annual Webby Awards.
Industry Interview: Tom Viola and the Evolution of Broadway Cares/Equity Fights AIDS
For the past thirty years, Broadway Cares/Equity Fights AIDS has been a vital part of the theatre community, and Tom Viola has been around to nurture its growth since the organization's inception in 1988.
Industry Interview: Inside the Mind of Jujamcyn Theaters' Jordan Roth!
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To celebrate this amazing milestone, we checked in by phone with Michael Crawford, from New Zealand. As many know, along with a long career creating numerous roles, the star also inspired the creation of this very web site. After I saw the production myself in 1994, my father said 'If you thought that was great, you need to hear the original...' And, the rest is BroadwayWorld history.
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Industry Interview: Daryl Roth and Hal Luftig's KINKY BOOTS are Made for Running
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Theatre is a multi-faceted industry built on collaboration, creativity and commitment. Whether you are a writer, director, producer, or any other profession within the theatre, it's essential to know how each facet of our business works together to put on a production.
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Situation Interactive is a digital-first marketing agency that works with many of the world's leading arts, entertainment and media brands including Wicked the Musical, Major League Soccer, Bravo TV, and the Metropolitan Opera.
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Disney Theatrical Productions in association with Michael Cassel Group is getting ready to launch the first international tour of the world's #1 musical, Disney's The Lion King, to premiere in Manila in March 2018 with additional engagements in Singapore, Korea, Taiwan and South Africa.
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On August 11th, Hamilton released the official app for iOS and Android devices. Hamilton's mission was to give its fans a mobile experience that would provide unprecedented access to the show. One of the primary focuses of the team was to develop a product that could adapt to cutting-edge technologies.
BWW Interview: ARTHOUSE's Sara Fitzpatrick Sounds Off on the Digital Media Landscape
As part of the kick-off of BroadwayWorld's new Industry Section, we talked to Sara Fitzpatrick, CEO of ARTHOUSE. With a career that's spanned multiple larger agencies including Situation Interactive and SpotCo, she now runs her own boutique agency that specializes in all things digital marketing. We sat down with her in late July to get her take on the current state of the market & more...
Currently, Lucas is mostly staying at his home in Atlantic City recovering from severe complications he received from open heart surgery in January 2016. He suffered extensive injuries to his hands and feet, spent a total of 4 1/2 months in the cardiac ICU at Brigham and Women's hospital & various rehabs and has been unable to return work. He is anxiously waiting to work with new hand and finger prosthetics while continuing to get stronger every day...all this while keeping an amazingly positive attitude and having his wife Rebecca by his side.
Presenting the New and Improved BroadwayWorld.com
Welcome to the rhythm of a brand new day on BroadwayWorld as we've just this morning launched a massive design upgrade that's been in the works for months that I'm both proud and excited to unveil.
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Robert Diamond founded BroadwayWorld.com in 2003, which has now become the largest theatre web site in the world. He also serves as the site's Editor-in-Chief, covering Broadway and beyond, with specific local coverage for 100 cities in the United States, 45+ countries worldwide and 10 other related areas of entertainment - including dance, opera, concerts, comedy, films, television and more. In 2014, the site was awarded an Award for Excellence in Theatre Arts Education by the prestigious Theatre Museum.
Diamond got his start in the entertainment field, accidentally, when he created the 'official web site' (while in college) for Michael Crawford, the popular actor and original Tony and Olivier Award-winning star of THE PHANTOM OF THE OPERA. (He still blames Crawford - and credits him - for anything that goes particularly right or wrong during an average day.)
As a respected member of the Broadway and theatre community, Diamond also served as Lead Producer for a series of sold-out shows using the BroadwayWorld 'brand' for a set of 'Standing Ovations' concerts, which also branched out into titles that included Holiday Shows and even more specific concerts like 'From Stage to Screen and Back Again' in tandem with publishers and movie studios. All proceeds were in turn donated to Broadway Cares / Equity Fights AIDS, the industry's leader in aid for performers in need.
Robert splits his time between Manhattan and Lake Tamarack in Stockholm, NJ with his wife and two dogs, growing the business and getting little sleep. In addition, you can usually find him in a theatre many nights a week. Robert's writing has been featured on the site in 'The Broadway Pulse' and Industry Insight sections on BroadwayWorld and he also wrote weekly about theatre for the USA Network's Character Approved blog.
In late 2012, Wisdom Digital Media announced the official spinoff and launch of new entertainment web sites including BWWTVWorld.com, BWWBooksWorld.com, BWWMusicWorld.com, BWWDanceWorld.com, BWWClassicalWorld.com and BWWOperaWorld.com. The site's expansion was featured in a Crain's New York Business profile as well. Since then, Diamond has been featured as an industry expert by numerous outlets.
In December of 2014, Diamond was one of 5 Syracuse University Alumni, all having achieved success in the world of start-ups, business growth and venture capital, participating on a panel addressing young alumni who are currently pursuing their dreams of running their own business and experiencing the day to day challenges of a startup. It is part of the university's new Student Accelerator Program, for which Rob was recommended by Syracuse University's i-School.
Recently, BroadwayWorld.com returned to the concert stage, with a series of benefit concerts featuring Broadway's brightest stars. The site continued its growth and leading technology support adding exclusive features, an industry-first Apple TV app, Roku App, new iPhone, Android and iPad Apps, Apple Watch and Safari alerts, a slew of original video content, international expansion & more.
Recently, the site unveiled a major redesign, fully responsive on all platforms and taking full advantage of the latest in i-technology and has spent the last year involved in further growth including the launch of new regions, new sections including Around the World and Industry Insight and more.
