ROBERTDIAMOND
Presenting the New and Improved BWW
Welcome to the rhythm of a brand new day on BroadwayWorld as we've just this morning launched a massive design upgrade that's been in the works for months that I'm both proud and excited to unveil.
It wasn't until I watched the loving trip down BWW memory lane, put together by our Social Media guru Alan Henry (and linked below) of the site's previous designs that I got a little emotional about the process (and what a process it's been!).
Everyone on the BroadwayWorld team takes great pride in our position as the leader in all coverage for theatre and live entertainment for Broadway and beyond. We approached the changes that you are now seeing today, keeping that in mind every step of the way.
Using heavy data, analytics and testing we looked at each and every feature of the web site - technically, visually and functionality wise and spent many sleepless nights figuring out how to make each bit better.
We hope that you'll find the new site a faster, cleaner and more powerful browsing experience across all browsers, screen sizes and devices. The goal was to make it even more functional on large desktops, and on the smallest of phone screens.
I'd like to extend special thanks to everyone on the team who's been involved with the design, development, testing, lovingly yelling at me with feedback, and helping to carry the site forward for 2017.
As always, we are here for and with you, our readers and the community. Your feedback is welcome (especially over the next few days as I'm sure we have some bugs to squash), and my inbox is always open!
Enjoy!
INDUSTRY INSIGHT: Weekly Grosses Analysis - 12/10
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 12/9/2018.
This was the same as the number of shows as last week and
up 8 vs. the same week last year.
Compared to last week, attendance was
up 4.96%. Versus last year, attendance was
up 29.57%.
On the sales front, overall grosses were
up 6.04%
vs. last week and
up 33.71%
vs. this week last year.
This week's average ticket price of $127.57 is
up $1.31 compared to last week and
up $3.95 compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 12/3
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 12/2/2018.
This was
up the number of shows as last week and
up 7 vs. the same week last year.
Compared to last week, attendance was
up 0.06%. Versus last year, attendance was
up 13.01%.
On the sales front, overall grosses were
down -12.17%
vs. last week and
down -3.26%
vs. this week last year.
This week's average ticket price of $126.27 is
down $-17.58 compared to last week and
down $-21.23 compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 11/26
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 11/25/2018.
This was
less than
the number of shows as last week and
up 5 vs. the same week last year.
Compared to last week, attendance was
up 2.31%. Versus last year, attendance was
up 20.83%.
On the sales front, overall grosses were
up 17.92%
vs. last week and
up 38.19%
vs. this week last year.
This week's average ticket price of $143.84 is
up $19.04 compared to last week and
up $18.07 compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 11/19
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 11/18/2018.
This was
less than
the number of shows as last week and
up 7 vs. the same week last year.
Compared to last week, attendance was
down -4.42%. Versus last year, attendance was
up 16.61%.
On the sales front, overall grosses were
down -1.96%
vs. last week and
up 12.39%
vs. this week last year.
This week's average ticket price of $124.80 is
up $3.14 compared to last week and
down $-4.69 compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 11/12
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 11/11/2018.
This was
up the number of shows as last week and
up 10 vs. the same week last year.
Compared to last week, attendance was
up 9.50%. Versus last year, attendance was
up 36.22%.
On the sales front, overall grosses were
up 12.55%
vs. last week and
up 36.55%
vs. this week last year.
This week's average ticket price of $121.66 is
up $3.30 compared to last week and
up $0.29 compared to last year.
Text after read more button
This week, 38 shows played on Broadway, with 314,249 tickets sold and a total gross of $40,089,570. The average ticket price was $127.57.
Top 5 by This Week Gross
HAMILTON
$2,945,976
SPRINGSTEEN ON BROADWAY
$2,415,700
THE LION KING
$2,329,610
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,035,259
WICKED
$2,000,580
Bottom 5 by This Week Gross
HEAD OVER HEELS
($208,970),
TORCH SONG
($230,878),
THE NEW ONE
($259,722),
THE PLAY THAT GOES WRONG
($310,882),
ONCE ON THIS ISLAND
($413,735)
Top 5 by This Week Gross vs. Last Week Gross
SPRINGSTEEN ON BROADWAY
$486,380
THE ILLUSIONISTS - MAGIC OF THE HOLIDAYS
$143,860
THE LION KING
$130,992
WICKED
$125,698
KING KONG
$120,064
Bottom 5 by This Week Gross vs. Last Week Gross
NETWORK
($-137,348),
TO KILL A MOCKINGBIRD
($-8,802),
THE LIFESPAN OF A FACT
($-1,508),
HAMILTON
($-1,193),
CHICAGO
($-576)
Top 5 by Average Ticket Price
SPRINGSTEEN ON BROADWAY
$509.64
HAMILTON
$274.45
DEAR EVAN HANSEN
$187.37
THE LION KING
$173.09
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$156.85
Bottom 5 by Average Ticket Price
HEAD OVER HEELS
($58.13),
THE NEW ONE
($58.38),
THE PLAY THAT GOES WRONG
($65.82),
TORCH SONG
($71.44),
THE WAVERLY GALLERY
($79.87)
Top 5 by Gross % of Potential
WICKED
112.4%
HAMILTON
111.98%
DEAR EVAN HANSEN
110.69%
THE BOOK OF MORMON
104.31%
COME FROM AWAY
103.77%
Bottom 5 by Gross % of Potential
HEAD OVER HEELS
(23.65%),
THE NEW ONE
(26.43%),
TORCH SONG
(35.59%),
SUMMER
(41.9%),
THE PLAY THAT GOES WRONG
(45.87%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
103.6%
COME FROM AWAY
101.7%
HAMILTON
101.6%
DEAR EVAN HANSEN
101.5%
NETWORK
101.3%
Bottom 5 % of Seats Sold of Total Seats
HEAD OVER HEELS
(46.7%),
THE NEW ONE
(51.8%),
SUMMER
(56.9%),
THE PLAY THAT GOES WRONG
(69.1%),
TORCH SONG
(69.1%)
Top 5 by Seats Sold This Week vs. Last Week
THE ILLUSIONISTS - MAGIC OF THE HOLIDAYS
1228
KING KONG
1142
SUMMER
974
SPRINGSTEEN ON BROADWAY
948
HEAD OVER HEELS
941
Bottom 5 by Seats Sold This Week vs. Last Week
THE NEW ONE
(-121),
CHICAGO
(-113),
THE LION KING
(-108),
ALADDIN
(-87),
AMERICAN SON
(-58)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 38 shows played on Broadway, with 299,411 tickets sold and a total gross of $37,805,785. The average ticket price was $126.27.
Top 5 by This Week Gross
HAMILTON
$2,947,169
THE LION KING
$2,198,618
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,024,213
WICKED
$1,874,882
FROZEN
$1,850,445
Bottom 5 by This Week Gross
HEAD OVER HEELS
($160,863),
TORCH SONG
($220,459),
THE NEW ONE
($247,549),
THE PLAY THAT GOES WRONG
($283,366),
ONCE ON THIS ISLAND
($361,135)
Top 5 by This Week Gross vs. Last Week Gross
BEAUTIFUL
$133,096
PRETTY WOMAN: THE MUSICAL
$100,498
TO KILL A MOCKINGBIRD
$75,994
AMERICAN SON
$58,970
SUMMER
$48,823
Bottom 5 by This Week Gross vs. Last Week Gross
HAMILTON
($-861,130),
SCHOOL OF ROCK
($-622,687),
WICKED
($-603,097),
THE LION KING
($-577,610),
THE PHANTOM OF THE OPERA
($-550,986)
Top 5 by Average Ticket Price
HAMILTON
$274.54
DEAR EVAN HANSEN
$183.45
THE LION KING
$162.06
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$156.00
MY FAIR LADY
$146.01
Bottom 5 by Average Ticket Price
THE NEW ONE
($54.17),
HEAD OVER HEELS
($60.61),
THE PLAY THAT GOES WRONG
($62.50),
TORCH SONG
($72.50),
THE PROM
($83.81)
Top 5 by Gross % of Potential
HAMILTON
112.03%
WICKED
105.34%
DEAR EVAN HANSEN
103.64%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
101.8%
NETWORK
100.73%
Bottom 5 by Gross % of Potential
HEAD OVER HEELS
(18.21%),
THE NEW ONE
(25.19%),
TORCH SONG
(33.98%),
SUMMER
(35.14%),
THE PLAY THAT GOES WRONG
(41.81%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.9%
HAMILTON
101.6%
COME FROM AWAY
101.6%
TO KILL A MOCKINGBIRD
100.6%
NETWORK
100.2%
Bottom 5 % of Seats Sold of Total Seats
HEAD OVER HEELS
(34.4%),
SUMMER
(48.6%),
THE NEW ONE
(53.2%),
TORCH SONG
(65.0%),
THE PLAY THAT GOES WRONG
(66.4%)
Top 5 by Seats Sold This Week vs. Last Week
THE ILLUSIONISTS - MAGIC OF THE HOLIDAYS
2646
THE CHER SHOW
2148
TO KILL A MOCKINGBIRD
1440
PRETTY WOMAN: THE MUSICAL
998
BEAUTIFUL
861
Bottom 5 by Seats Sold This Week vs. Last Week
SCHOOL OF ROCK
(-4130),
THE PHANTOM OF THE OPERA
(-2096),
THE PLAY THAT GOES WRONG
(-1293),
TORCH SONG
(-1280),
CHICAGO
(-1035)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 36 shows played on Broadway, with 299,235 tickets sold and a total gross of $43,043,266. The average ticket price was $143.84.
Top 5 by This Week Gross
HAMILTON
$3,808,299
THE LION KING
$2,776,228
WICKED
$2,477,979
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,338,315
FROZEN
$2,319,013
Bottom 5 by This Week Gross
HEAD OVER HEELS
($208,221),
TORCH SONG
($235,679),
THE NEW ONE
($315,827),
THE WAVERLY GALLERY
($421,076),
THE PLAY THAT GOES WRONG
($446,544)
Top 5 by This Week Gross vs. Last Week Gross
WICKED
$950,561
HAMILTON
$874,213
THE LION KING
$739,517
FROZEN
$679,237
SCHOOL OF ROCK
$664,029
Bottom 5 by This Week Gross vs. Last Week Gross
THE CHER SHOW
($-103,314),
SUMMER
($-68,435),
AMERICAN SON
($-59,218),
THE WAVERLY GALLERY
($-53,816),
THE FERRYMAN
($-32,843)
Top 5 by Average Ticket Price
HAMILTON
$354.10
DEAR EVAN HANSEN
$213.83
THE LION KING
$206.20
MEAN GIRLS
$182.05
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$180.20
Bottom 5 by Average Ticket Price
TORCH SONG
($54.54),
HEAD OVER HEELS
($58.62),
THE NEW ONE
($68.43),
THE PLAY THAT GOES WRONG
($76.63),
THE WAVERLY GALLERY
($79.13)
Top 5 by Gross % of Potential
WICKED
139.22%
MEAN GIRLS
133.85%
DEAR EVAN HANSEN
125.29%
COME FROM AWAY
117.6%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
117.59%
Bottom 5 by Gross % of Potential
HEAD OVER HEELS
(23.57%),
SUMMER
(31.79%),
THE NEW ONE
(31.8%),
TORCH SONG
(36.33%),
THE PROM
(50.71%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.5%
COME FROM AWAY
102.2%
HAMILTON
101.8%
DEAR EVAN HANSEN
101.6%
TO KILL A MOCKINGBIRD
100.7%
Bottom 5 % of Seats Sold of Total Seats
SUMMER
(43.7%),
HEAD OVER HEELS
(46.1%),
THE NEW ONE
(53.8%),
KINKY BOOTS
(69.3%),
AMERICAN SON
(70.7%)
Top 5 by Seats Sold This Week vs. Last Week
SCHOOL OF ROCK
4443
THE PHANTOM OF THE OPERA
2328
THE PLAY THAT GOES WRONG
1612
WICKED
1436
KINKY BOOTS
1199
Bottom 5 by Seats Sold This Week vs. Last Week
THE CHER SHOW
(-1960),
TO KILL A MOCKINGBIRD
(-1392),
THE NEW ONE
(-1014),
KING KONG
(-967),
THE PROM
(-939)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 37 shows played on Broadway, with 292,481 tickets sold and a total gross of $36,501,888. The average ticket price was $124.80.
Top 5 by This Week Gross
HAMILTON
$2,934,086
SPRINGSTEEN ON BROADWAY
$2,423,700
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,095,399
THE LION KING
$2,036,711
FROZEN
$1,639,775
Bottom 5 by This Week Gross
HEAD OVER HEELS
($182,463),
THE PLAY THAT GOES WRONG
($251,432),
TORCH SONG
($259,249),
THE NEW ONE
($283,487),
BERNHARDT/HAMLET
($361,533)
Top 5 by This Week Gross vs. Last Week Gross
NETWORK
$701,700
SPRINGSTEEN ON BROADWAY
$488,530
TO KILL A MOCKINGBIRD
$161,578
THE NEW ONE
$105,349
KING KONG
$102,760
Bottom 5 by This Week Gross vs. Last Week Gross
WICKED
($-243,190),
KINKY BOOTS
($-215,801),
ANASTASIA
($-156,782),
SUMMER
($-155,354),
SCHOOL OF ROCK
($-144,030)
Top 5 by Average Ticket Price
SPRINGSTEEN ON BROADWAY
$511.33
HAMILTON
$273.29
DEAR EVAN HANSEN
$186.86
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$161.48
THE LION KING
$151.21
Bottom 5 by Average Ticket Price
THE NEW ONE
($50.36),
THE PROM
($56.84),
THE PLAY THAT GOES WRONG
($59.65),
HEAD OVER HEELS
($61.13),
TORCH SONG
($66.24)
Top 5 by Gross % of Potential
HAMILTON
111.53%
DEAR EVAN HANSEN
110.35%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
105.38%
NETWORK
104.25%
SPRINGSTEEN ON BROADWAY
101.65%
Bottom 5 by Gross % of Potential
HEAD OVER HEELS
(20.65%),
THE NEW ONE
(28.84%),
SUMMER
(36.49%),
THE PLAY THAT GOES WRONG
(37.1%),
THE PROM
(37.76%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.2%
COME FROM AWAY
101.7%
HAMILTON
101.6%
DEAR EVAN HANSEN
101.4%
TO KILL A MOCKINGBIRD
100.2%
Bottom 5 % of Seats Sold of Total Seats
HEAD OVER HEELS
(38.7%),
SUMMER
(49.5%),
KINKY BOOTS
(58.7%),
THE PLAY THAT GOES WRONG
(61.7%),
SCHOOL OF ROCK
(65.0%)
Top 5 by Seats Sold This Week vs. Last Week
NETWORK
4991
TO KILL A MOCKINGBIRD
1443
THE PROM
1275
THE CHER SHOW
1002
SPRINGSTEEN ON BROADWAY
948
Bottom 5 by Seats Sold This Week vs. Last Week
KING KONG
(-2105),
KINKY BOOTS
(-2049),
SCHOOL OF ROCK
(-1634),
SUMMER
(-1516),
WAITRESS
(-1155)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 38 shows played on Broadway, with 306,015 tickets sold and a total gross of $37,230,401. The average ticket price was $121.66.
Top 5 by This Week Gross
HAMILTON
$2,943,951
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,109,192
THE LION KING
$2,082,461
SPRINGSTEEN ON BROADWAY
$1,935,170
WICKED
$1,770,608
Bottom 5 by This Week Gross
THE NEW ONE
($178,138),
THE NAP
($191,064),
HEAD OVER HEELS
($233,984),
TORCH SONG
($290,585),
THE PROM
($323,083)
Top 5 by This Week Gross vs. Last Week Gross
TO KILL A MOCKINGBIRD
$609,806
THE CHER SHOW
$570,504
FROZEN
$406,813
KING KONG
$240,866
AMERICAN SON
$223,612
Bottom 5 by This Week Gross vs. Last Week Gross
SPRINGSTEEN ON BROADWAY
($-489,710),
THE NEW ONE
($-13,477),
THE PHANTOM OF THE OPERA
($-8,297),
THE LION KING
($-8,208),
THE PROM
($6,699)
Top 5 by Average Ticket Price
SPRINGSTEEN ON BROADWAY
$510.33
HAMILTON
$274.24
DEAR EVAN HANSEN
$190.43
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$162.55
THE LION KING
$153.81
Bottom 5 by Average Ticket Price
THE NEW ONE
($26.90),
THE NAP
($46.31),
THE PROM
($55.75),
THE PLAY THAT GOES WRONG
($63.44),
HEAD OVER HEELS
($67.41)
Top 5 by Gross % of Potential
DEAR EVAN HANSEN
112.64%
HAMILTON
111.91%
THE LION KING
106.49%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
106.07%
MEAN GIRLS
104.75%
Bottom 5 by Gross % of Potential
THE NEW ONE
(22.72%),
HEAD OVER HEELS
(26.48%),
THE NAP
(29.55%),
THE PROM
(40.24%),
TORCH SONG
(44.79%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
103.9%
DEAR EVAN HANSEN
101.6%
HAMILTON
101.6%
COME FROM AWAY
101.2%
TO KILL A MOCKINGBIRD
100.2%
Bottom 5 % of Seats Sold of Total Seats
HEAD OVER HEELS
(45.1%),
SUMMER
(62.4%),
THE PLAY THAT GOES WRONG
(75.3%),
KINKY BOOTS
(76.7%),
SCHOOL OF ROCK
(78.4%)
Top 5 by Seats Sold This Week vs. Last Week
TO KILL A MOCKINGBIRD
5757
THE CHER SHOW
5179
KING KONG
3363
KINKY BOOTS
2138
THE NEW ONE
1682
Bottom 5 by Seats Sold This Week vs. Last Week
SPRINGSTEEN ON BROADWAY
(-948),
THE PROM
(-689),
THE PHANTOM OF THE OPERA
(-563),
THE FERRYMAN
(-376),
TORCH SONG
(-305)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
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The Dramatists Guild of America is the originator of the Dramatists Guild Fellows program, with a mission is to enhance the sense of community among developing American dramatists by offering a year-long workshop designed to augment their training with practical experience and career information resources.
Industry Interview: Mike Isaacson on Why You Should Meet Him at The Muny!
For 101 seasons, The Muny has brought a little bit of Broadway to St. Louis, as one of the country's premier institutions in musical theatre. As the nation's largest outdoor musical theatre, the venue produces seven world-class musicals each year and welcomes over 400,000 theatregoers over a nine-week summer season.
We chatted recently with Trafalgar Releasing's CEO Marc Allenby, and recently hired senior VP, programming and acquisitions Kymberli Frueh to get the scoop on everything the company is up to, the current state of event cinema and so much more.
Industry Interview: Inside the All But Chill Life of Jennifer Ashley Tepper
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Industry Interview: Wolf of Broadway- Meet Tony-Winning Producer, Orin Wolf
Just over a month ago, Orin Wolf was celebrating a whooping ten Tony wins for his little musical that could- The Band's Visit. As the big winner at the 72nd Annual Tony Awards on June 10, the new show not only swept the ceremony, but it found a place in history with some of Broadway's most awarded musicals- a producer's dream.
As the weather warms up, the streets of New York City's theatre district begin to fill with tourists, who trek from the far corners of the world for a chance to see a Broadway show. But do they always get to see the show they came for?
Industry Interview: How Charity Network and the Miranda Family Are Making the World a Better Place
As BroadwayWorld recently reported, 'Lin-Manuel Miranda and Charity Network Rise Up for Good' has been nominated for best campaign in the Social - Public Service & Activism category in the 22nd Annual Webby Awards.
Industry Interview: Tom Viola and the Evolution of Broadway Cares/Equity Fights AIDS
For the past thirty years, Broadway Cares/Equity Fights AIDS has been a vital part of the theatre community, and Tom Viola has been around to nurture its growth since the organization's inception in 1988.
Industry Interview: Inside the Mind of Jujamcyn Theaters' Jordan Roth!
What do Frozen, Angels in America, Mean Girls, Springsteen on Broadway, The Book of Mormon, and Kinky Boots have in common? Two words: Jordan Roth.
To celebrate this amazing milestone, we checked in by phone with Michael Crawford, from New Zealand. As many know, along with a long career creating numerous roles, the star also inspired the creation of this very web site. After I saw the production myself in 1994, my father said 'If you thought that was great, you need to hear the original...' And, the rest is BroadwayWorld history.
Industry Interview: Inside the World of Broadway PR with Matt Polk!
Who does Broadway turn to to get noticed? Two words: Press agents.
Furze and Moore were recently joined by Executive Creative Director Bashan Aquart and SVP of Creative Strategy and Experiential Design Amanda Blackman for a chat with BroadwayWorld about the AKA vision, how it all got started, and where the industry is headed.
Industry Interview: Scott Sanders Is Breaking the Mold to Create Experiential Entertainment for All
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Industry Interview: Daryl Roth and Hal Luftig's KINKY BOOTS are Made for Running
Daryl Roth and Hal Luftig's boots are made for running... on Broadway.
Theatre is a multi-faceted industry built on collaboration, creativity and commitment. Whether you are a writer, director, producer, or any other profession within the theatre, it's essential to know how each facet of our business works together to put on a production.
Industry Interview: Get Situated with Damian Bazadona- President of Situation Interactive!
Situation Interactive is a digital-first marketing agency that works with many of the world's leading arts, entertainment and media brands including Wicked the Musical, Major League Soccer, Bravo TV, and the Metropolitan Opera.
August 2017 marked the official launch of RPM, a new full-service entertainment advertising and marketing agency dedicated to Broadway and other live entertainment arts & culture clients.
BWW Interview: Meet Broadway's Top Legal Eagle, Mark Sendroff
Billy Flynn might get all the attention, but Broadway's real, go-to man of the law is Mark Sendroff.
Disney Theatrical Productions in association with Michael Cassel Group is getting ready to launch the first international tour of the world's #1 musical, Disney's The Lion King, to premiere in Manila in March 2018 with additional engagements in Singapore, Korea, Taiwan and South Africa.
BWW Industry Interview: Mobilizing the Revolution - Behind the Creation of the HAMILTON App
On August 11th, Hamilton released the official app for iOS and Android devices. Hamilton's mission was to give its fans a mobile experience that would provide unprecedented access to the show. One of the primary focuses of the team was to develop a product that could adapt to cutting-edge technologies.
BWW Interview: ARTHOUSE's Sara Fitzpatrick Sounds Off on the Digital Media Landscape
As part of the kick-off of BroadwayWorld's new Industry Section, we talked to Sara Fitzpatrick, CEO of ARTHOUSE. With a career that's spanned multiple larger agencies including Situation Interactive and SpotCo, she now runs her own boutique agency that specializes in all things digital marketing. We sat down with her in late July to get her take on the current state of the market & more...
Currently, Lucas is mostly staying at his home in Atlantic City recovering from severe complications he received from open heart surgery in January 2016. He suffered extensive injuries to his hands and feet, spent a total of 4 1/2 months in the cardiac ICU at Brigham and Women's hospital & various rehabs and has been unable to return work. He is anxiously waiting to work with new hand and finger prosthetics while continuing to get stronger every day...all this while keeping an amazingly positive attitude and having his wife Rebecca by his side.
Presenting the New and Improved BroadwayWorld.com
Welcome to the rhythm of a brand new day on BroadwayWorld as we've just this morning launched a massive design upgrade that's been in the works for months that I'm both proud and excited to unveil.
They've already taken you to Austria, Neverland and Oz. On December 7, Craig Zadan and Neil Meron are Baltimore-bound.
Book Report: Hot New Cookbook Alert - SPICE HEALTH HEROES
Once in a while, along comes a cookbook that will find itself equally at home in your kitchen or on your coffee table. Not only that, SPICE HEALTH HEROES available worldwide on October 20, 2016, might also make you healthier.
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Robert Diamond founded BroadwayWorld.com in 2003, which has now become the largest theatre web site in the world. He also serves as the site's Editor-in-Chief, covering Broadway and beyond, with specific local coverage for 100 cities in the United States, 45+ countries worldwide and 10 other related areas of entertainment - including dance, opera, concerts, comedy, films, television and more. In 2014, the site was awarded an Award for Excellence in Theatre Arts Education by the prestigious Theatre Museum.
Diamond got his start in the entertainment field, accidentally, when he created the 'official web site' (while in college) for Michael Crawford, the popular actor and original Tony and Olivier Award-winning star of THE PHANTOM OF THE OPERA. (He still blames Crawford - and credits him - for anything that goes particularly right or wrong during an average day.)
As a respected member of the Broadway and theatre community, Diamond also served as Lead Producer for a series of sold-out shows using the BroadwayWorld 'brand' for a set of 'Standing Ovations' concerts, which also branched out into titles that included Holiday Shows and even more specific concerts like 'From Stage to Screen and Back Again' in tandem with publishers and movie studios. All proceeds were in turn donated to Broadway Cares / Equity Fights AIDS, the industry's leader in aid for performers in need.
Robert splits his time between Manhattan and Lake Tamarack in Stockholm, NJ with his wife and two dogs, growing the business and getting little sleep. In addition, you can usually find him in a theatre many nights a week. Robert's writing has been featured on the site in 'The Broadway Pulse' and Industry Insight sections on BroadwayWorld and he also wrote weekly about theatre for the USA Network's Character Approved blog.
In late 2012, Wisdom Digital Media announced the official spinoff and launch of new entertainment web sites including BWWTVWorld.com, BWWBooksWorld.com, BWWMusicWorld.com, BWWDanceWorld.com, BWWClassicalWorld.com and BWWOperaWorld.com. The site's expansion was featured in a Crain's New York Business profile as well. Since then, Diamond has been featured as an industry expert by numerous outlets.
In December of 2014, Diamond was one of 5 Syracuse University Alumni, all having achieved success in the world of start-ups, business growth and venture capital, participating on a panel addressing young alumni who are currently pursuing their dreams of running their own business and experiencing the day to day challenges of a startup. It is part of the university's new Student Accelerator Program, for which Rob was recommended by Syracuse University's i-School.
Recently, BroadwayWorld.com returned to the concert stage, with a series of benefit concerts featuring Broadway's brightest stars. The site continued its growth and leading technology support adding exclusive features, an industry-first Apple TV app, Roku App, new iPhone, Android and iPad Apps, Apple Watch and Safari alerts, a slew of original video content, international expansion & more.
Recently, the site unveiled a major redesign, fully responsive on all platforms and taking full advantage of the latest in i-technology and has spent the last year involved in further growth including the launch of new regions, new sections including Around the World and Industry Insight and more.
