ROBERTDIAMOND
Presenting the New and Improved BWW
Welcome to the rhythm of a brand new day on BroadwayWorld as we've just this morning launched a massive design upgrade that's been in the works for months that I'm both proud and excited to unveil.
It wasn't until I watched the loving trip down BWW memory lane, put together by our Social Media guru Alan Henry (and linked below) of the site's previous designs that I got a little emotional about the process (and what a process it's been!).
Everyone on the BroadwayWorld team takes great pride in our position as the leader in all coverage for theatre and live entertainment for Broadway and beyond. We approached the changes that you are now seeing today, keeping that in mind every step of the way.
Using heavy data, analytics and testing we looked at each and every feature of the web site - technically, visually and functionality wise and spent many sleepless nights figuring out how to make each bit better.
We hope that you'll find the new site a faster, cleaner and more powerful browsing experience across all browsers, screen sizes and devices. The goal was to make it even more functional on large desktops, and on the smallest of phone screens.
I'd like to extend special thanks to everyone on the team who's been involved with the design, development, testing, lovingly yelling at me with feedback, and helping to carry the site forward for 2017.
As always, we are here for and with you, our readers and the community. Your feedback is welcome (especially over the next few days as I'm sure we have some bugs to squash), and my inbox is always open!
Enjoy!
INDUSTRY INSIGHT: Weekly Grosses Analysis - 4/22
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 4/21/2019.
This was the same as the number of shows as last week and
the same vs. the same week last year.
Compared to last week, attendance was
up 7.80%. Versus last year, attendance was
up 4.20%.
On the sales front, overall grosses were
up 15.82%
vs. last week and
up 7.23%
vs. this week last year.
This week's average ticket price of $122.55 is
up $8.49
compared to last week and
up $3.47
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 4/15
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 4/14/2019.
This was
less than
the number of shows as last week and
the same vs. the same week last year.
Compared to last week, attendance was
down -3.44%. Versus last year, attendance was
down -2.30%.
On the sales front, overall grosses were
down -1.60%
vs. last week and
down -7.96%
vs. this week last year.
This week's average ticket price of $114.05 is
up $2.13
compared to last week and
down $-7.02
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 4/8
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 4/7/2019.
This was
up the number of shows as last week and
up 2
vs. the same week last year.
Compared to last week, attendance was
up 0.58%. Versus last year, attendance was
down -3.85%.
On the sales front, overall grosses were
down -4.16%
vs. last week and
down -17.15%
vs. this week last year.
This week's average ticket price of $111.92 is
down $-5.53
compared to last week and
down $-17.96
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 4/1
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 3/31/2019.
This was
up the number of shows as last week and
up 2
vs. the same week last year.
Compared to last week, attendance was
up 4.97%. Versus last year, attendance was
down -1.91%.
On the sales front, overall grosses were
up 7.66%
vs. last week and
down -12.36%
vs. this week last year.
This week's average ticket price of $117.45 is
up $2.93
compared to last week and
down $-14.01
compared to last year.
INDUSTRY INSIGHT: Weekly Grosses Analysis - 3/25
Welcome to this week's edition of BroadwayWorld's exclusive WEEKLY GROSSES ANALYSIS - read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, for the week ending 3/24/2019.
This was
up the number of shows as last week and
up 1
vs. the same week last year.
Compared to last week, attendance was
up 3.51%. Versus last year, attendance was
up 1.98%.
On the sales front, overall grosses were
up 3.82%
vs. last week and
down -3.42%
vs. this week last year.
This week's average ticket price of $114.52 is
up $0.35
compared to last week and
down $-6.40
compared to last year.
Text after read more button
This week, 36 shows played on Broadway, with 328,200 tickets sold and a total gross of $40,219,790. The average ticket price was $122.55.
Top 5 by This Week Gross
HAMILTON
$3,299,435
THE LION KING
$3,149,674
WICKED
$2,633,078
ALADDIN
$2,048,492
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$2,021,090
Bottom 5 by This Week Gross
GARY: A SEQUEL TO TITUS ANDRONICUS
($300,613),
INK
($316,263),
HILLARY AND CLINTON
($340,825),
WHAT THE CONSTITUTION MEANS TO ME
($462,612),
ALL MY SONS
($482,132)
Top 5 by This Week Gross vs. Last Week Gross
THE LION KING
$904,189
WICKED
$876,409
ALADDIN
$622,795
THE PHANTOM OF THE OPERA
$550,902
FROZEN
$492,351
Bottom 5 by This Week Gross vs. Last Week Gross
THE CHER SHOW
($-88,801),
GARY: A SEQUEL TO TITUS ANDRONICUS
($-87,936),
HILLARY AND CLINTON
($-34,612),
KING LEAR
($-31,328),
BEAUTIFUL
($-30,961)
Top 5 by Average Ticket Price
HAMILTON
$306.95
THE LION KING
$206.81
DEAR EVAN HANSEN
$177.74
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$155.76
WICKED
$155.53
Bottom 5 by Average Ticket Price
GARY: A SEQUEL TO TITUS ANDRONICUS
($49.94),
HILLARY AND CLINTON
($56.06),
INK
($67.71),
TOOTSIE
($73.87),
BEETLEJUICE
($76.91)
Top 5 by Gross % of Potential
WICKED
131.5%
TO KILL A MOCKINGBIRD
124.15%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
120.53%
DEAR EVAN HANSEN
115.2%
HAMILTON
108.88%
Bottom 5 by Gross % of Potential
GARY: A SEQUEL TO TITUS ANDRONICUS
(34.68%),
HILLARY AND CLINTON
(41.68%),
INK
(43.58%),
THE CHER SHOW
(53.04%),
THE FERRYMAN
(53.65%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
103.7%
COME FROM AWAY
101.9%
HAMILTON
101.7%
OKLAHOMA!
101.6%
DEAR EVAN HANSEN
101.6%
Bottom 5 % of Seats Sold of Total Seats
THE FERRYMAN
(67.9%),
KING LEAR
(77.2%),
THE CHER SHOW
(77.6%),
BEAUTIFUL
(81.2%),
PRETTY WOMAN: THE MUSICAL
(87%)
Top 5 by Seats Sold This Week vs. Last Week
TOOTSIE
2877
WICKED
2591
FROZEN
2356
THE PHANTOM OF THE OPERA
2289
ALADDIN
2129
Bottom 5 by Seats Sold This Week vs. Last Week
THE FERRYMAN
(-393),
KING LEAR
(-203),
WHAT THE CONSTITUTION MEANS TO ME
(-32),
HAMILTON
(-4),
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 36 shows played on Broadway, with 304,463 tickets sold and a total gross of $34,725,461. The average ticket price was $114.05.
Top 5 by This Week Gross
HAMILTON
$3,191,118
THE LION KING
$2,245,485
WICKED
$1,756,669
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$1,708,792
TO KILL A MOCKINGBIRD
$1,505,427
Bottom 5 by This Week Gross
INK
($321,953),
HILLARY AND CLINTON
($375,438),
GARY: A SEQUEL TO TITUS ANDRONICUS
($388,549),
ALL MY SONS
($424,814),
WHAT THE CONSTITUTION MEANS TO ME
($457,256)
Top 5 by This Week Gross vs. Last Week Gross
HAMILTON
$250,909
ALL MY SONS
$176,045
KING LEAR
$166,783
KING KONG
$164,612
OKLAHOMA!
$147,858
Bottom 5 by This Week Gross vs. Last Week Gross
TO KILL A MOCKINGBIRD
($-122,724),
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
($-93,604),
BEETLEJUICE
($-79,255),
WICKED
($-76,493),
THE PHANTOM OF THE OPERA
($-74,639)
Top 5 by Average Ticket Price
HAMILTON
$296.77
THE LION KING
$166.76
DEAR EVAN HANSEN
$165.19
NETWORK
$145.70
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$131.69
Bottom 5 by Average Ticket Price
HILLARY AND CLINTON
($62.99),
GARY: A SEQUEL TO TITUS ANDRONICUS
($67.13),
BEETLEJUICE
($72.21),
INK
($72.82),
KING KONG
($76.58)
Top 5 by Gross % of Potential
TO KILL A MOCKINGBIRD
123.16%
DEAR EVAN HANSEN
106.57%
NETWORK
105.47%
HAMILTON
105.3%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
101.9%
Bottom 5 by Gross % of Potential
INK
(44.37%),
GARY: A SEQUEL TO TITUS ANDRONICUS
(44.83%),
HILLARY AND CLINTON
(45.91%),
THE PROM
(54.52%),
KING KONG
(54.6%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.8%
HAMILTON
101.8%
COME FROM AWAY
101.3%
DEAR EVAN HANSEN
101.1%
TO KILL A MOCKINGBIRD
101.1%
Bottom 5 % of Seats Sold of Total Seats
THE FERRYMAN
(72.7%),
THE CHER SHOW
(76.6%),
THE PHANTOM OF THE OPERA
(78.7%),
KING LEAR
(79.7%),
KING KONG
(80.1%)
Top 5 by Seats Sold This Week vs. Last Week
ALL MY SONS
2021
KING KONG
1886
CHICAGO
992
HADESTOWN
972
WAITRESS
935
Bottom 5 by Seats Sold This Week vs. Last Week
THE PHANTOM OF THE OPERA
(-1115),
WICKED
(-572),
BEETLEJUICE
(-397),
THE FERRYMAN
(-210),
THE CHER SHOW
(-162)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 38 shows played on Broadway, with 315,320 tickets sold and a total gross of $35,291,616. The average ticket price was $111.92.
Top 5 by This Week Gross
HAMILTON
$2,940,209
THE LION KING
$2,160,102
WICKED
$1,833,162
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$1,802,396
TO KILL A MOCKINGBIRD
$1,628,150
Bottom 5 by This Week Gross
GARY: A SEQUEL TO TITUS ANDRONICUS
($381,334),
HILLARY AND CLINTON
($391,944),
WHAT THE CONSTITUTION MEANS TO ME
($410,927),
OKLAHOMA!
($451,274),
KING LEAR
($473,262)
Top 5 by This Week Gross vs. Last Week Gross
TOOTSIE
$442,056
BEETLEJUICE
$433,703
WHAT THE CONSTITUTION MEANS TO ME
$134,315
THE BAND'S VISIT
$90,452
BEAUTIFUL
$16,273
Bottom 5 by This Week Gross vs. Last Week Gross
HAMILTON
($-297,345),
MEAN GIRLS
($-165,384),
FROZEN
($-129,664),
HADESTOWN
($-119,834),
BE MORE CHILL
($-115,674)
Top 5 by Average Ticket Price
HAMILTON
$273.92
DEAR EVAN HANSEN
$168.57
THE LION KING
$159.83
NETWORK
$146.10
TO KILL A MOCKINGBIRD
$140.62
Bottom 5 by Average Ticket Price
GARY: A SEQUEL TO TITUS ANDRONICUS
($65.79),
HILLARY AND CLINTON
($66.68),
KING LEAR
($69.90),
KING KONG
($74.40),
BEETLEJUICE
($77.32)
Top 5 by Gross % of Potential
TO KILL A MOCKINGBIRD
117.47%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
107.49%
HAMILTON
106.89%
NETWORK
105.96%
WICKED
103%
Bottom 5 by Gross % of Potential
GARY: A SEQUEL TO TITUS ANDRONICUS
(44%),
KING KONG
(44.07%),
HILLARY AND CLINTON
(47.93%),
THE PROM
(48.28%),
THE FERRYMAN
(52.54%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
103.1%
OKLAHOMA!
102.7%
HAMILTON
101.6%
DEAR EVAN HANSEN
101.5%
COME FROM AWAY
101.3%
Bottom 5 % of Seats Sold of Total Seats
KING KONG
(66.6%),
CHICAGO
(74.8%),
THE FERRYMAN
(75.3%),
BEAUTIFUL
(75.8%),
THE PROM
(77.8%)
Top 5 by Seats Sold This Week vs. Last Week
BEETLEJUICE
7203
TOOTSIE
6347
WHAT THE CONSTITUTION MEANS TO ME
592
THE BAND'S VISIT
372
KING LEAR
173
Bottom 5 by Seats Sold This Week vs. Last Week
KINKY BOOTS
(-1544),
KING KONG
(-1271),
THE PHANTOM OF THE OPERA
(-859),
HADESTOWN
(-815),
MEAN GIRLS
(-806)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 37 shows played on Broadway, with 313,513 tickets sold and a total gross of $36,822,965. The average ticket price was $117.45.
Top 5 by This Week Gross
HAMILTON
$3,237,554
THE LION KING
$2,158,754
WICKED
$1,925,972
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$1,825,772
TO KILL A MOCKINGBIRD
$1,718,215
Bottom 5 by This Week Gross
WHAT THE CONSTITUTION MEANS TO ME
($276,611),
GARY: A SEQUEL TO TITUS ANDRONICUS
($433,909),
HILLARY AND CLINTON
($434,350),
KING LEAR
($507,528),
OKLAHOMA!
($537,287)
Top 5 by This Week Gross vs. Last Week Gross
HADESTOWN
$499,515
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$460,159
HAMILTON
$288,149
AIN'T TOO PROUD
$227,829
TO KILL A MOCKINGBIRD
$210,530
Bottom 5 by This Week Gross vs. Last Week Gross
WHAT THE CONSTITUTION MEANS TO ME
($-110,942),
CHICAGO
($-62,860),
BEAUTIFUL
($-54,490),
KING LEAR
($-34,234),
THE BOOK OF MORMON
($-26,823)
Top 5 by Average Ticket Price
HAMILTON
$301.00
DEAR EVAN HANSEN
$172.61
THE LION KING
$159.11
TO KILL A MOCKINGBIRD
$147.57
NETWORK
$146.91
Bottom 5 by Average Ticket Price
WHAT THE CONSTITUTION MEANS TO ME
($68.86),
HILLARY AND CLINTON
($73.33),
GARY: A SEQUEL TO TITUS ANDRONICUS
($73.48),
KING KONG
($74.85),
KING LEAR
($76.92)
Top 5 by Gross % of Potential
TO KILL A MOCKINGBIRD
123.96%
NETWORK
109.56%
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
108.88%
WICKED
108.21%
HAMILTON
106.83%
Bottom 5 by Gross % of Potential
WHAT THE CONSTITUTION MEANS TO ME
(46.62%),
GARY: A SEQUEL TO TITUS ANDRONICUS
(49.3%),
KING KONG
(50.42%),
THE PROM
(52.6%),
HILLARY AND CLINTON
(53.12%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
102.9%
COME FROM AWAY
102%
HAMILTON
101.8%
DEAR EVAN HANSEN
101.5%
OKLAHOMA!
101.4%
Bottom 5 % of Seats Sold of Total Seats
THE FERRYMAN
(74.1%),
KING KONG
(75.7%),
BEAUTIFUL
(77.6%),
THE CHER SHOW
(78%),
PRETTY WOMAN: THE MUSICAL
(81.3%)
Top 5 by Seats Sold This Week vs. Last Week
HADESTOWN
5356
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
3244
OKLAHOMA!
783
BURN THIS
766
GARY: A SEQUEL TO TITUS ANDRONICUS
760
Bottom 5 by Seats Sold This Week vs. Last Week
BEAUTIFUL
(-784),
WHAT THE CONSTITUTION MEANS TO ME
(-567),
CHICAGO
(-555),
THE CHER SHOW
(-437),
KING KONG
(-278)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
This week, 35 shows played on Broadway, with 298,672 tickets sold and a total gross of $34,204,242. The average ticket price was $114.52.
Top 5 by This Week Gross
HAMILTON
$2,949,405
THE LION KING
$2,128,040
WICKED
$1,937,089
TO KILL A MOCKINGBIRD
$1,507,685
ALADDIN
$1,421,787
Bottom 5 by This Week Gross
WHAT THE CONSTITUTION MEANS TO ME
($387,553),
GARY: A SEQUEL TO TITUS ANDRONICUS
($392,644),
HILLARY AND CLINTON
($404,880),
KING LEAR
($541,762),
THE FERRYMAN
($564,472)
Top 5 by This Week Gross vs. Last Week Gross
BURN THIS
$571,306
HILLARY AND CLINTON
$217,516
AIN'T TOO PROUD
$152,437
WHAT THE CONSTITUTION MEANS TO ME
$144,195
THE LION KING
$104,013
Bottom 5 by This Week Gross vs. Last Week Gross
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
($-583,246),
HAMILTON
($-246,989),
BE MORE CHILL
($-51,605),
NETWORK
($-33,031),
GARY: A SEQUEL TO TITUS ANDRONICUS
($-19,296)
Top 5 by Average Ticket Price
HAMILTON
$274.67
DEAR EVAN HANSEN
$174.61
THE LION KING
$156.84
NETWORK
$143.80
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
$140.32
Bottom 5 by Average Ticket Price
KING KONG
($74.22),
GARY: A SEQUEL TO TITUS ANDRONICUS
($76.32),
HILLARY AND CLINTON
($78.40),
THE PROM
($82.29),
THE BAND'S VISIT
($83.06)
Top 5 by Gross % of Potential
TO KILL A MOCKINGBIRD
123.34%
WICKED
108.83%
NETWORK
107.69%
HAMILTON
107.22%
DEAR EVAN HANSEN
103.04%
Bottom 5 by Gross % of Potential
GARY: A SEQUEL TO TITUS ANDRONICUS
(50.98%),
KING KONG
(51.32%),
THE PROM
(52.02%),
MY FAIR LADY
(55.21%),
PRETTY WOMAN: THE MUSICAL
(56.17%)
Top 5 by % of Seats Sold of Total Seats
THE BOOK OF MORMON
104%
COME FROM AWAY
102.1%
HAMILTON
101.6%
TO KILL A MOCKINGBIRD
101.5%
DEAR EVAN HANSEN
101.4%
Bottom 5 % of Seats Sold of Total Seats
THE FERRYMAN
(73.4%),
KING KONG
(77.7%),
PRETTY WOMAN: THE MUSICAL
(79.9%),
THE CHER SHOW
(82%),
KING LEAR
(82.7%)
Top 5 by Seats Sold This Week vs. Last Week
BURN THIS
4720
HILLARY AND CLINTON
2903
WHAT THE CONSTITUTION MEANS TO ME
1688
AIN'T TOO PROUD
1568
KINKY BOOTS
967
Bottom 5 by Seats Sold This Week vs. Last Week
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO
(-3244),
THE FERRYMAN
(-1030),
THE BAND'S VISIT
(-174),
KING LEAR
(-168),
KISS ME, KATE
(-161)
That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..
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To celebrate this amazing milestone, we checked in by phone with Michael Crawford, from New Zealand. As many know, along with a long career creating numerous roles, the star also inspired the creation of this very web site. After I saw the production myself in 1994, my father said 'If you thought that was great, you need to hear the original...' And, the rest is BroadwayWorld history.
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Industry Interview: Daryl Roth and Hal Luftig's KINKY BOOTS are Made for Running
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Theatre is a multi-faceted industry built on collaboration, creativity and commitment. Whether you are a writer, director, producer, or any other profession within the theatre, it's essential to know how each facet of our business works together to put on a production.
Industry Interview: Get Situated with Damian Bazadona- President of Situation Interactive!
Situation Interactive is a digital-first marketing agency that works with many of the world's leading arts, entertainment and media brands including Wicked the Musical, Major League Soccer, Bravo TV, and the Metropolitan Opera.
August 2017 marked the official launch of RPM, a new full-service entertainment advertising and marketing agency dedicated to Broadway and other live entertainment arts & culture clients.
BWW Interview: Meet Broadway's Top Legal Eagle, Mark Sendroff
Billy Flynn might get all the attention, but Broadway's real, go-to man of the law is Mark Sendroff.
Disney Theatrical Productions in association with Michael Cassel Group is getting ready to launch the first international tour of the world's #1 musical, Disney's The Lion King, to premiere in Manila in March 2018 with additional engagements in Singapore, Korea, Taiwan and South Africa.
BWW Industry Interview: Mobilizing the Revolution - Behind the Creation of the HAMILTON App
On August 11th, Hamilton released the official app for iOS and Android devices. Hamilton's mission was to give its fans a mobile experience that would provide unprecedented access to the show. One of the primary focuses of the team was to develop a product that could adapt to cutting-edge technologies.
BWW Interview: ARTHOUSE's Sara Fitzpatrick Sounds Off on the Digital Media Landscape
As part of the kick-off of BroadwayWorld's new Industry Section, we talked to Sara Fitzpatrick, CEO of ARTHOUSE. With a career that's spanned multiple larger agencies including Situation Interactive and SpotCo, she now runs her own boutique agency that specializes in all things digital marketing. We sat down with her in late July to get her take on the current state of the market & more...
Currently, Lucas is mostly staying at his home in Atlantic City recovering from severe complications he received from open heart surgery in January 2016. He suffered extensive injuries to his hands and feet, spent a total of 4 1/2 months in the cardiac ICU at Brigham and Women's hospital & various rehabs and has been unable to return work. He is anxiously waiting to work with new hand and finger prosthetics while continuing to get stronger every day...all this while keeping an amazingly positive attitude and having his wife Rebecca by his side.
Presenting the New and Improved BroadwayWorld.com
Welcome to the rhythm of a brand new day on BroadwayWorld as we've just this morning launched a massive design upgrade that's been in the works for months that I'm both proud and excited to unveil.
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Robert Diamond founded BroadwayWorld.com in 2003, which has now become the largest theatre web site in the world. He also serves as the site's Editor-in-Chief, covering Broadway and beyond, with specific local coverage for 100 cities in the United States, 45+ countries worldwide and 10 other related areas of entertainment - including dance, opera, concerts, comedy, films, television and more. In 2014, the site was awarded an Award for Excellence in Theatre Arts Education by the prestigious Theatre Museum.
Diamond got his start in the entertainment field, accidentally, when he created the 'official web site' (while in college) for Michael Crawford, the popular actor and original Tony and Olivier Award-winning star of THE PHANTOM OF THE OPERA. (He still blames Crawford - and credits him - for anything that goes particularly right or wrong during an average day.)
As a respected member of the Broadway and theatre community, Diamond also served as Lead Producer for a series of sold-out shows using the BroadwayWorld 'brand' for a set of 'Standing Ovations' concerts, which also branched out into titles that included Holiday Shows and even more specific concerts like 'From Stage to Screen and Back Again' in tandem with publishers and movie studios. All proceeds were in turn donated to Broadway Cares / Equity Fights AIDS, the industry's leader in aid for performers in need.
Robert splits his time between Manhattan and Lake Tamarack in Stockholm, NJ with his wife and two dogs, growing the business and getting little sleep. In addition, you can usually find him in a theatre many nights a week. Robert's writing has been featured on the site in 'The Broadway Pulse' and Industry Insight sections on BroadwayWorld and he also wrote weekly about theatre for the USA Network's Character Approved blog.
In late 2012, Wisdom Digital Media announced the official spinoff and launch of new entertainment web sites including BWWTVWorld.com, BWWBooksWorld.com, BWWMusicWorld.com, BWWDanceWorld.com, BWWClassicalWorld.com and BWWOperaWorld.com. The site's expansion was featured in a Crain's New York Business profile as well. Since then, Diamond has been featured as an industry expert by numerous outlets.
In December of 2014, Diamond was one of 5 Syracuse University Alumni, all having achieved success in the world of start-ups, business growth and venture capital, participating on a panel addressing young alumni who are currently pursuing their dreams of running their own business and experiencing the day to day challenges of a startup. It is part of the university's new Student Accelerator Program, for which Rob was recommended by Syracuse University's i-School.
Recently, BroadwayWorld.com returned to the concert stage, with a series of benefit concerts featuring Broadway's brightest stars. The site continued its growth and leading technology support adding exclusive features, an industry-first Apple TV app, Roku App, new iPhone, Android and iPad Apps, Apple Watch and Safari alerts, a slew of original video content, international expansion & more.
Recently, the site unveiled a major redesign, fully responsive on all platforms and taking full advantage of the latest in i-technology and has spent the last year involved in further growth including the launch of new regions, new sections including Around the World and Industry Insight and more.
